MedicalToys Newsletter: medical fetish at it's finest                   The Examiner Newsletter                 Autumn  2008 
Pics or stfu*...

Nasty Nurse Natalie gives Nurse Victoria a tongue lashing!
One thing we cannot be accused of here, at, is not having enough images to go with our copious collections of  content! We always increase and update our pages with exhaustive research, gathering and recording historical information, actual medical usage, as well as medical BDSM fetishism.  
But, we must admit, for us, the most fun is doing our clinical sessions for pictorials and photo shoots! Everyone knows that old saying, "A picture is worth a thousand words."

Hence, we continue our penchant for our photos to be more informative, yet keeping our very well-known lighthearted and tongue-in-cheek attitude with an ultimate goal of pleasure and entertainment.

Charlotte Brooke
wrapped in a warm robe between sessions.

We are entering our 10th full year on-line as the original and largest source of Medical Fetish on the internet (thus, the world!) and we've met and worked with so many great fellow fetishists, many have become friends and actually model for us.

Nurse Laural begins testing procedures on
 her "Lab Mouse" (Anna Rose of

This year alone, we had the pleasure of working (ha! more like playing, you say!!) with Mark of, Claire Adams, Damon Pierce, Charlotte Brooke, Amanda Wildfyre, Natalie Demore and Ambrosia Wood here at our ever expanding medical fetish clinics, just to name a few.

Sebastian shooting Ambrosia Wood

Yes, we've grown quite a bit in those 10 years! We now have multiple clinics with plans underway for even more! So stay tuned, as we enter our next decade of bringing you more and more of the best that Medical Fetish can offer!

Nurses Victoria (as the Naughty Patient), Cindy
and Ivy getting ready for another session.

Sebastian interviewing a straitjacketed and sensory deprivation hooded Martin Sargent of Revision3 TV as Nurses Ivy and Victoria
 give the finishes "touches".

Sebastian capturing a bird's eye view
of Claire Adams

Charlotte Brook, Mike, Nurse Victoria, Laural,
 Sebastian, Claire Adams and Damon Pierce your heart out, Grey's Anatomy!

* pics or stfu (from Urban Dictionary)
An internet slang representing the impeccable state of expression;
a. Pictures or Shut the f**k up
b. Alt. Pictures or don't even bother completing your conversation.
a. My wife just recovered from a lengthy breast implant operation; "Wife? - Pics or stfu!"

Sneezing Fetish

ABC NEWS  "(A) person with a sneeze fetish can find erotic pleasure in those few seconds," according to the ABC News Medical Unit, in an April report, when "the eyes close as the body prepares to forcefully expel air," but "experts are stumped as to why." An Internet "sneeze fetish forum" allows members to wax rhapsodic ("She has the cutest sneeze ever") and recall pleasurable experiences (such as the thrill of discovering that one's new college roommate has allergies and will be sneezing frequently), and many use language and suggest visions that mimic sexual behaviors.

MTC editorial: Of course, we all know that medical fetishes are nothing to sneeze at!

Insult to Injury

BUCHAREST, Romania - A court has ordered a Romanian surgeon to pay $795,000 in compensation to a patient whose penis he severed, accidentally, during an operation.

In July 2004, Dr. Naum Ciomu made a surgical error while operating on the man's testicles, severing the penis instead of making an incision to the testicle.

A piece of muscle from the man's arm has now been attached to where his penis was, but its function is aesthetic.

The Bucharest Magistrates Court ruled Friday that Ciomu had been "superficial" in his approach to the operation, ordered the fine and handed Dr. Ciomu a one-year suspended prison sentence. The ruling can be appealed.

"You don't have to be an expert to realize that the 33-year-old victim does not have a good state of mind," said Mihai Olariu, the victim's lawyer.

Don't know their ass from...

BAVARIA, Germany- A German retiree is taking a hospital to court after she went in for a leg operation and got a new anus instead, the Daily Telegraph is reporting.

The woman woke up to find she had been mixed up with another patient suffering from fecal incontinence who was to have surgery on her sphincter.

The clinic in Hochfranken, Bavaria, has since suspended the surgical team. Now the woman is planning to sue the hospital. She still needs the leg operation and is searching for another hospital to do it.

MTC editorial: Can you imagine if those soon-to-be unemployed surgeons become chefs? Clue: don't order the Frog's Legs!

New Product Review:

Prostate and Perineum Stimulator "O"

Ohhh! Yes, "O"... that's the utterance that involuntarily falls from the lips as this uniquely engineered prostate and perineum tool ( too intense and intelligent to call a "toy"!) is put in place and does its job!

The "O" is designed in a circular shape with three "balls" located at the pivotal points of stimulation contact for the male G-spot [prostate], as it simultaneously tickles
the perineum ["taint" or scrotal area]. Once in place, any rocking or rhythmic motion creates a hands-free erection and orgasmic reaction.

Stimulating the prostate and perineum are key factors in controlling and increasing a man's erection, orgasm and ejaculation. Essentially, they are the command centers for sexual pleasure. The "O" enhances the strength of traditional orgasms during masturbating or during sexual intercourse and it can also be used as a foreplay device.

It's made from phthalate-free, super-soft silicone for added comfort and flexibility.

Diameter: 35mm (approx. 1 ½")
Ball Diameter: 80mm (approx. 3")
Total Length: 200mm (approx. 8")

"O" Prostate Stimulator
Item #320-2010 
Price: $89.95


Application of direct stimulation to the prostate gland via the rectum induces erection. Continued stimulation eventually releases prostate fluid and/or ejaculate, also known as "prostate milking". Using Prostate Tools, such as the "O" or the Gyro Prostate Stimulator [shown below] exponentially increase the results in time and intensity.

Gyro Prostate Stimulator
click on photo for larger detail
 The Gyro stimulates the male prostate (the G-spot) and perineum area with a little gyrating after anal insertion. Stimulation of the prostate
 and perineum helps increase the erection, orgasm and ejaculation. Designed for a "hands free" orgasm, it is made of medical grade silicone for improved flexibility and comfort. Phthalate free.
Size / Dimensions : 3.5 inches x 1.25 inches

Gyro Prostate Stimulator
Item #320-2020 
Price: $98.95


Psssst... here's a little secret, both the "O" and the Gyro work great for stimulation the female G-Spot as well!
Get in on the action, gals!!

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The Domination of Cinema and the Cinema of Domination  article by Mike White, Metro Times

The whip cracks, a dude moans; is it pleasure or pain he's feeling? Is there even a difference? Well, to any submissive worth his weight in salty tears, there isn't much. And the safe, sane, and consensual art of domination and submission (D/S) is, in its purist sense, pretty much absent from the silver screen — though it's a taboo topic that's freely mocked, misunderstood and derided in mainstream film.

Emma Peel paved the way for mainstream proto-dommes — and fueled testosterone fantasies around the globe — on '60s TV show The Avengers. Her comely frame and form-fitting leather bodysuit left just enough to the imagination, didn't it? But she was all about femme power as much as her persona was about tension and tease; a campy, action-heroine pinup in fetishized garb, one that resonated long and loud. That persona returned in force with the gothic attire of Aeon Flux, Underworld, Elektra, The Matrix, etc. And the garb with the most influence in recent cinematic history belongs to Michelle Pfeiffer's Cat Woman in Batman Returns — her PVC cat suit has decorated the covers of myriad fetish magazines.
With whip in hand and liberated libido, Cat Woman could've been a force with which to reckon. However, unfortunately, she was declawed by her psychosis and rampant need for a man (in a bat suit). Like so many other apparent dommes of the
silver screen, she walked the walk and talked the talk but didn't live the life. She was still living in a male-defined world.

While dommes aren't at the fore of American cinema, female protagonists can be coded dominant in a way similar to the subtle symbols that signified a character's homosexuality when the Hays Code's moral standards took hold of American film in the 1930s. And this stuff runs far deeper than an outer layer of fetish garb. One wouldn't have to be trussed up in Wonder Woman's lasso of truth to confess that allegedly dominant women in cinema are too often anything but. Instead, they're like little girls clip-clopping around in their mother's high heels, faces slathered in make-up. They're putting on airs and taking femininity to an absurd end.

Whether they're 24/7 dommes or kinky women, pimple-faced comedies have been home to a host of frighteningly powerful gals in recent years (EuroTrip, Tomcats [above], American Wedding). But these appearances are punchlines with the dominatrix personifying an "über-femme," a device meant to scare the bejeezus out of boys and insecure men. These male characters can't even deal with "regular" females, how will handle whip-wielding women who take what they want? By running away, penises tucked between their legs, that's how! The D/S lifestyle is an easy target for laughs and is used in film to parody our expected gender roles. Men are seen as weak and women ball-busting psychos.

Penned as erotica, Anne Rice's Exit to Eden was unsuccessfully grafted onto a comedic espionage plot, resulting in something that resembled The Story of O as a hot slapstick mess. Adapted by Bob Brunner and Deborah Amelon in 1994, there are few intersections between the adult story of Mistress Lisa (Dana Delany), her new submissive Elliot (Paul Mecurio) and the bad plot.

Even people who'd disavow genital torture might rethink it if given the option between that and enduring Rosie O'Donnell and Dan Aykroyd in a tacked-on bit involving international intrigue on an island of dominants and submissives.

 The schtick is laid on so thick and the depiction of D/S so stilted, that any shred of erotica is as muted as a ball-gagged subbie.
The film exemplifies a common 
theme of D/S-centered films with its ties between the criminal and sexual underworlds. The peculiar mix of pain and power coupled with the intrinsic raw emotion of D/S subject matter gives a reputation of prurient madness. The subject matter telegraphs an association with the seedier side of life. Those who engage and enjoy the edgy activities walk a razor-thin line of normalcy, if not legality.

Exit to Eden is an American rarity. The majority of dominatrix roles are found in foreign fare with the most famous being Bulle Ogier in Maîtresse. An artful Barbet Schroeder exploitation film provides a proper tour guide for an intimate exploration of D/S. Released in 1976, the sexual revolution of the '60s and '70s gave more screen time to D/S than it had ever gotten before. The party would be over by the '80s with D/S safely tucked back into the cinematic closet.

Lingering on the outskirts of cinema, D/S boasts porn auteurs and hacks taking swipes at the subject. The best explorer of fetishes, Maria Beatty, has provided a steady stream of artfully-directed films which spotlight subjects such as tickling (Box of Laughter), spanking (The Elegant Spanking), medical fetishism (Doctor's Orders), punk fetish (Skateboard Kink Freak [DVD cover, above]) and other taboo topics.

At the other end of the spectrum sits D. Stevens' 2006 effort The Pet (movie poster, above). Marketed as an empathetic exploration of D/S, the film is a pathetic exploitation tale dressed in leather. Lukewarm erotica at best, The Pet is reminiscent of the worst parts of Exit to Eden with its tepid human trafficking plot and unbearable acting. To call star Andrea Edmondson "wooden" is an insult to trees.

Recently, two Canadian films have brought D/S to the fore; Steven Shainberg's Secretary (2002) and Robert Cuffley's Walk All Over Me (2007). These look at both sides of the D/S coin; Secretary the bottom and Walk the top.
Though Secretary is an erotically
charged examination of power exchange, the protagonist, Lee Holloway (Maggie Gyllenhaal) seems to suppress her need for self-mutilation via spanking. Everything turns out for the best in the end, but initiating the D/S relationship between Holloway and her boss, Edward E. Grey
(James Spader) requires an inherent flaw in Holloway as opposed to a genuine need. The mind-set reflected sees D/S as a "lifestyle choice" and not an integral part of one's personality. However, Secretary allows viewers to understand D/S as a form of therapy. Holloway and Grey play off each other; one's yin to the other's yang. Together they exorcise their demons in a deeply personal and satisfying exploration.

In Walk All Over Me, D/S is far more ancillary to the plot and merely a means to an end for the two main female characters. When Alberta (Leelee Sobieski, right, looking like the love child of Helen Hunt & Chloë Sevigny) runs away from her dead-end life she arrives on the doorstep of Celene (Tricia Helfer), a Vancouver dominatrix.

 It doesn't take long until Alberta — who's known for "jumping from one mess to another" — dons some shiny leather boots and pretends to be Celene for a new client, Paul (Jacob Tierney). She inexplicably falls head over heels for him in a matter of minutes, shortly before learning that he's involved with some dangerous dudes from Ontario. This begins a convoluted plot involving stolen money, ruined expectations and bondage.

Despite the upscale lifestyle that Celene enjoys — in her nurse, cop, or army outfits — it's all artifice. The same can be said for the film's D/S quotient; it's used for the wacky factor as well as an aid in creating an uneasy blend of comedy and crime drama, revisiting the errors of Exit to Eden.

Celene has zero empathy for her clients and sees them as living cash machines. She could've been a spokesmodel or acted in community theater if the pay were better. Instead, she's using her vocation as a domme as a shortcut to her "life plan" of becoming an actress. The rare domme, Celene uses her real name and doesn't put up many barriers between herself and her clients. Perhaps because she's so superficial she has nothing to hide. There's little discussion of professionalism or the lack of sexual contact/intercourse involved with being a professional dominatrix. Even Alberta assumes that the trappings of domination — floggers, feathers, leather masks, et cetera — are merely accoutrements of a prostitute. It's far easier to fathom that a man would pay for sex than to be debased at the behest of another person.

Be it sensual or sexual, D/S eludes explanation because much of it takes place above the neck and not below the waist. A wonderful alternative to copulation in diseased time (bodies clad head-to-toe in latex redefines "safe sex"); D/S is the most difficult sex play of all as it requires an active imagination.

Portrayals of D/S in cinema are scant with positive dominatrix roles. Characters engaged in D/S are mentally imbalanced (Secretary), dangerous (Body of Evidence [Madonna, above], Pulp Fiction), or deadly (Payback [Mel Gibson & Lucy Liu]). Only Lady Heather (Melinda Clarke) of TV's C.S.I. can be seen as a positive role model, though she's had bad luck with crimes taking place in her Las Vegas dungeon (and her penchant for vigilante justice isn't necessarily admirable).

It's not up to every cheesy comedy, lame action film or coming-of-age tale to provide humanistic portrayals of D/S and dommes. Kink can be funny, strange or even cute. Mainstream acceptance shouldn't be thrust upon cinematic D/S —  the taboo nature enhances the excitement— though it doesn't need to be shorthand for criminality, unhappiness or insanity. Despite its integration into a handful of films, D/S remains cloistered when not openly mocked or utilized as a simple source of titillation. As evidenced by Secretary, D/S might have its leather boot in the back door of the cinema.
  -Mike White, Metro Times

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